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Posts Tagged ‘underwater photographers’






Dema Unveils Scuba Innovations

Tuesday, December 1st, 2009

6268891embeddedprod_affiliate56-300x225 Dema Unveils Scuba Innovations

The scuba diving industry’s largest trade expo — the Dive Equipment and Marketing Association — was held earlier this month in Orlando. Exhibitors displayed the latest must-have dive gear and introduced vacation packages to such far-flung destinations as the Galapagos Islands and Palau. Here are some of the new diving innovations you can expect to see at retailers in the next few months:

Hydroacoustics Inc. Diver Interdiction System: Here’s a great way to shoo pesky divers from the lobsters hiding underneath your dock. For $60,000, you can buy a nonlethal, suitcase-sized unit that emits ‘acoustic bio-effects’ when a lobster diving rival or someone else gets too close. Just hang it over the side, and let it rip.

‘Anyplace where there’s an air cavity, that’s where it impacts,’ HAI sales director Tim Bibens said. ‘It’s very uncomfortable.’

If you would like to have incriminating video of the suspect, you can deploy the company’s Proteus 500 ROV. Priced at about $33,000, this remote-operated vehicle can dive as deep as 500 feet and be programmed to surface on its own.

It runs on batteries, so there’s no need to hook it up to shore power. Of course, its best uses are to inspect bridges and piers and to discover sunken shipwrecks.

Liquid Image Underwater Camera Mask: Underwater photographers no longer have to schlep around a camera and strobes to shoot pictures and video of colorful fish and coral. For about $150, you can have a dive mask, video/still camera and lights — all worn on your face. The Liquid Image is certified to 115 feet deep, with a 64 megabyte internal memory. Perfect for hands-free snorkeling, scuba diving, spearfishing or freediving.

Pegasus Thruster: Invented by a pair of Miamians, this innovative hands-free propulsion system was unveiled at DEMA in 2003. But company official Steve Williams said they needed to work out some bugs, so they held off on bringing it to market until now. Just strap the propeller on your scuba tank, press the button and fly along the reef at speeds of up to two knots. Williams said its 12-volt battery allows 35 to 40 minutes of continuous running, and it can operate as deep as 325 feet. At $2,375 for the basic unit, it’s not cheap. But just think, you will be channeling James Bond in Thunderball.

Morfin Turbo Delfin: If you saw a pair of these dive fins hanging up on a wall, you might mistake them for plastic angelfish decorations. But company president John Melius said their hydrofoil blades mimic some of nature’s best swimmers.

‘The best swimmers are the dolphins and whales,’ Melius said. ‘How many frogs swim across the ocean?’

Priced between $100 and $200, Morfins were designed to increase kicking power and allow easier cruising, Melius said.

‘It took me three years to realize I had engineered a fish,’ he said. ‘Well, that’s 450 million years of unbroken success.’

Neptunic shark suit: You could be mistaken for one of the Knights of the Round Table as you bop along the reef or perform underwater construction projects wearing this metallic outfit.

Previously available only to underwater filmmakers, the Neptunic now protects recreational scuba divers head to toe for the Hollywood celebrity-like price of $4,500.

So, if you are really that scared of species whose numbers have shrunk exponentially since the release of Jaws in the 1970s, whip out your Amex. Surfers, you really would turn a lot of heads navigating the breakers in this get-up.

Source


How to be an underwater model

Friday, October 30th, 2009

090917-1114l-300x199 How to be an underwater model

Chris Crumley is one of the most recognized underwater photographers in the world. Over the years, his advertising and editorial work has appeared in hundreds of pages of SCUBA-related marketing materials, travel brochures and a wide range of publications.

Most photographers are known for a particular specialty, Crumley is known for working with people underwater, and he’s turned it into a special “art.” His ability to capture unique moods and colorful backgrounds combine beautifully with skilled models to produce consistently stunning and memorable underwater images.

Crumley and one of his models, Sherry Smith, developed a unique training program for underwater models. Here Crumley shares some of their secrets on “What Makes A Great Underwater Model”

Desire: A model has to WANT to be there and it shows in the shots. Even underwater, you can’t hide certain things. A desire to make pictures that speak, excite and provoke emotion are intangibles necessary with every underwater model. This trait works in tandem with a desire to share the underwater experience with others.

Attitude: A model needs to be enthusiastic, creative, willing to deal with the elements, be patient and be part of a team to be successful, Crumley explains. “It’s not as simple as getting in the water and looking at the camera. There’s a lot that goes into every shot and a good model must have the right attitude.”

Body Language (Attitude): It’s more than just being a good diver. Top underwater models know how to move through the water effortless. They use their fins to propel and steer themselves – not their hands (a common mistake). In fact, a good model’s hands fall naturally alongside the body. The EYES are a major part of quality underwater shots. The diver’s eyes don’t look straight at the camera but at the subject. “I like my models to ‘smile’ with their eyes,” Crumley says. “Expressive eyes – no stares – give every shot an added boost.”

Communications: You can’t talk underwater, but it’s necessary to communicate. This comes from preparation in advance of a shoot. Experienced divers have their own sets of hand signals. It’s no different for underwater models. “Sometimes you don’t have to do anything other than point, other shots require a bit more communication between photographer and model.”

Buoyancy Control: If you’re not a diver, you won’t understand. If you are a diver, you have to appreciate the incredible buoyancy control every good underwater model has mastered. They know how to “hover” over a reef using partial breaths to rise and fall small amounts; they move effortlessly and stop on a dime – despite all the gear, currents and unique surroundings. “We practice this skill a lot because it doesn’t come naturally,” Crumley points out. “But once you master buoyancy control as an underwater model, you are a step ahead of most SCUBA divers.!”


Task Loading Tips For Underwater Photographers & Videographers

Thursday, July 23rd, 2009

305175827-300x278 Task Loading Tips For Underwater Photographers & Videographers

by Becky Kagan for DivePhotoGuide.com

“Take a deep breath” is what I told myself as I knelt down on the hard rock floor about 400 feet inside a Florida cave system. It’s been one of those days, my buddy had a few equipment problems so I was standing around in the hot sun in my drysuit, I was using a new piece of dive gear that I wasn’t comfortable with yet, my mask was leaking, and I needed to get the shots completed!  I stopped; taking a deep breath after also fighting a scooter with an over weighted video camera mounted on top of it. I had just been fighting it the whole way and the stress was starting to take over. All I needed was one more thing to go wrong and I knew it wouldn’t be a good situation. It just shouldn’t go this far, I was too task loaded and called the dive.
Task loading can come in many forms and it’s different for everyone day to day. Task loading can be anything physical to mental or a combination of both. It could be pushing an over weighted camera with lights in a strong current while trying to set up shots, positioning a model, dealing with sea sickness, a broken fin strap, and a depth and time limitation. All of these little problems can build up into one larger problem so it’s important to recognize when you’re overwhelmed and when to call the dive before it becomes dangerous.

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Big Blue Tech: Underwater Multimedia

Sunday, January 6th, 2008

Big Blue Tech rely on multimedia for capturing precious moments for marketing, helping companies market their own scuba equipment, map wrecks, map dive sites and to enhance the technical diving experience.

We also provide this service for customers who want a DVD or photo album as a souvenir of their adventure with us.


Underwater Photographers

multi2 Big Blue Tech: Underwater Multimedia

We use skilled and professional underwater photographers to capture and document our trips. It’s quite a challenge being a technical diver and then adding a camera makes the challenge much greater, so we prefer to use only the most experienced individuals.

During your time with us you will get the chance to meet these individuals on the livaboard and during your training.

For copies or rights to print our images please let us know and we will contact the individual photographer for you.


Underwater Videographers

multi1 Big Blue Tech: Underwater Multimedia

Because our role is primarily instructing we don’t get the opportunity to film. However you can see wreck and technical diving footage courtesy of the History Channel’s Deep Sea Detectives who joined us in Koh Tao to film the USS Lagarto with Mv Trident.


Multimedia Internships

multi3 Big Blue Tech: Underwater Multimedia

At the moment there are no certifying agencies who can provide courses. However hands on internship programs are available for people that want to learn how to get into this industry.


 


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